My graduate school audition season has been winding down (though I still have one last audition, for Curtis Institute, which I will certainly detail in a blog post!) and my last audition in February was for the Yale School of Music opera program. This has been one of my top programs since the beginning of my application process. Only about sixteen singers are in the program at any given time, and it is tuition-free. I attended a virtual information session with current Yale Opera students the week of the audition, and I was very impressed by their answers to prospective students’ questions, their drive to make music safely during COVID, and their overall friendliness.
Since I am a senior undergraduate, the question of my plans after graduation looms large. I started thinking about these plans quite early, meeting professors from appealing graduate programs during junior year. Now, in late February of my senior year, I am nearing the end of this long but imperative process. This is a very unique audition season; some schools eliminated the pre-screen round entirely, some simply advanced our videos to a second viewing, and a few required live virtual auditions over Zoom! In January, I had such an audition for Boston Conservatory at Berklee, and this helped me get comfortable with this unique audition format. Earlier today, February 20th, I had another virtual live audition, this time for the Voice and Opera Program at Northwestern University’s Bienen School of Music in Evanston, IL.